Anyone who has ever written an academic paper or submitted a
piece of writing for publication can identify with Anne Bradstreet’s anxiety in
“The Author to Her Book.” Bradstreet personifies her work as a newborn child
which has descended from the creative womb of her imagination, thus making
birthing an apt analogy. We learn that her book of poems is a premature birth,
that it is imperfect, flawed, and perhaps even deformed. She describes it as “my
rambling brat (in print)” (line 8). Well intentioned friends, which she
describes as “less wise than true” (3) have taken a book of unfinished poems
from her and had them published without her consent. As a result, the world
will judge her by an incomplete work that was not intended for publication. Bradstreet’s
apparent self-doubt is a reflection of her Puritan faith that requires humility
and self-critique rather than poor self-esteem. She is inadvertently forced to
operate from a disadvantage, but she has to play the hand she was dealt. There
is no going back. History reveals that women writers of that period were held
to a different standard than men. Perhaps they still are.
Charles Sullivan
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